Winnipeg was the true heart of our journey. Niether of us had spent any significant amount of time there, and so we were both really looking forward to absorbing all we could from the city. My affection for all things Ukrainian (that was instilled in me by my Grade three teacher), and having come to the understanding somehow that Winnipeg has the biggest population of Ukrainians in Canada, led me to believe the city would be steeped in an Eastern European aura. This was not in fact the case, but in my undying search for the right nooks and crannies of the city where I hoped my craving would be fulfilled we did find some interesting people and places.
Our accommodations were with Airbnb in St. Boniface - the French quarter - and it was the most convenient and comfortable place to be for exploring the city on foot. Of course the French history of Winnipeg is very significant and staying in St. Boniface gave us a taste of the "Frencher" milieu.
We eat well when we travel, even though we scrimp elsewhere, and St. Boniface did not disappoint with the restaurant meals and fresh baked goods that we had time to try.
Inextricably intertwined with the French influence in Winnipeg, is the indigenous culture.
We were lucky enough to stumble upon a ceremony or celebration of indigenous dance at The Forks National Historic Site. The regalia of the dancers was spectacular in the sunshine, and the dancers showed it off to great effect. I enjoyed the range of ages of the dancers; from the smallest little girl, up to the elders, who though not as spry as the younger dancers, conveyed such a dignity and pride in the steps they took.
We walked up into Winnipeg's North End one day in search of a slow roasted bison and blueberry bunwich that we'd read great things about. The restaurant is part of the Neechi Commons, which also houses a grocery store that features local foods, a craft shop of indigenous craft, and a small collection of artifacts. There may also be a community room. It was encouraging to see this facility in what appears to be quite a depressed area of town.
The Exchange District was a confusing maze of streets, and we didn't actually find the quirky boutiques and galleries until our second visit there. I was however, immediately captivated by the old painted advertisements on the buildings.
One of the newer "must-see" venues is of course The Museum of Human Rights, which we viewed from many angles, this time (background photo) from an enjoyable cheap and short narrated river tour. (Our guide being a member of a band, The Fretless, who'd played this summer at our own Newfoundland and Labrador Folk Festival - small world!)
I hadn't researched the museum beforehand, and had assumed it was a portrayal of our Human Rights record as a nation, but no, the entirety of global humanity's triumphs and failures is on display. It is a site that could suck you dry emotionally quite easily. I think once I recognized the scope of its exhibition mandate I put up a mentally protective shell so as to not let it darken my vacation too much.
Granted, the architecture of the space is designed with the last of the gallery spaces conveying a message of hope, as you physically rise through the seven storey structure (by traversing a long series of alabaster encased ramps) from the events of the past to those of the present.
This piece took my breath away upon entering the space. I had been following the work of Rebecca Belmore's piece, Trace, online and found the concept very moving. But I had lost track of the trajectory of her work and didn't realize that this was where it had come to live. Each of those beads is the shape a lump of clay takes on when squished inside a human fist.
You could spend days reading all of the stories of hurt and loss and injustice. But as I've said, with my rose-coloured vacation shades firmly affixed to my face, I chose to focus primarily on capturing a few artifacts that I found shocking for their very existence. Here's a couple.
"Racial head form, Germany, 1930s (reproduction). Busts like these were used to teach blind students to recognize facial features the Nazis deemed "Jewish". Collection of US Holocaust Memorial Museum"
Around every corner in Winnipeg you'll find some artistic expression of history or current ideas. It was a most enjoyable way to learn about the life of the city now and as it was.
The Liquor and Lotteries Heritage Wall is very poorly represented in these inadequate still photos - it is a huge captivating sound and light installation made from sheet steel that been allowed to rust. With LEDs mounted behind holes in the surface of it and speakers on top, it tells the story of the movement of the people on, and the development of, the local land.