In the 40 years since Art in America announced TV as the next medium, or Andy Warhol that “it’s the new everything”, artists continue to confirm the prognosis of inside and outside as defunct categories in life and in landscape. In this exhibition, artists approach digital apertures and viewfinders as tools and points of view.
Brian Alfred | Light, 2018. Animation, 1:43 minutes
Arden Bendler Browning | Recombine Northwest Cape/Melbourne highway ski/Arthur’s Pass ridges/West coast dunes. 2019. VR work, 1:02 minutes video recording.
Brian Alfred | Assistant Professor of Art at Penn State, Alfred’s animations examine how technology has altered our perception of our surroundings and how we process information.
Arden Bendler Browning | Philadelphia based artist who creates large abstract paintings, small works on paper, and virtual reality (VR) environments referencing cities, landscapes and multiple perspectives. Courtesy of Galleri Urbane.
Trisha Holt | Holt’s images are printed and positioned as life-size, topographical, and site specific installations which are then re-framed in new photographs.
Phaan Howng | Howng cinematically stages the sublime and formidable beauty of a post-human earth in order to initiate dialogues about the current crises of world ecology and the negative effects of the Anthropocene epoch.
Credits:
Exhibition in Art Alley of the HUB-Robeson Center at Penn State University. May 28-July 21, 2019