In music, separate movements are coupled tonally. In poetry, different literary stems can be eventually formed into one voice.

How can harmony be achieved in difference? How can two individual creative processes intertwine successfully?

SUITE is a conversation between the visual and the literary.

Is it so that the words guide the form? SUITE drawings are not illustrations of poetic subject matter, but visual and chromatic reinterpretations of language use.

Certain shapes become recurring motifs. It is inevitable to wonder if the artists placed them as figurative elements or if our human stupendous pattern-recognition abilities push us to recognize figuration in the abstract.

Lines delimiting anthropomorphic forms share the space with twirling shapes and corrugated patterns. At the same time, these shapes sneak onto the surface of the suggested bodies, adding visual layers and deepening the drawing. A dancer? A three fingered hand? A map?

Indian Miniature’s anatomical approach. The uncanny calmness of Giorgio the Chirico’s meticulous, metaphysical paintings. The energetic mysticism of Gustave Moreau's subject matter and William Blake’s illuminated printing.

Japanese prints’ flat treatment of space. Fernand Leger’s geometric compositions, where long, cylindrical forms are emphasized, or Pablo Picasso’s oeuvre at length, intervened either humorously, anagramically, or using archival photographs as a basis for some collages.

Many drawings allude to Victor Hugo's architectural fantasies. Floating castles connected by undulating tunnels, the depiction of implausible constructions, and architectural forms that evolve into abstract motifs. Inspired by George Perec’s ruminations on spatial concepts, the artists work with the ultimate creative space: the page, first blank and then filled.