‘I saw her in the woods. She stayed still long enough for me to take her picture and then she vanished.’
‘Vanished.'
'Yeah, you know - disappeared.’
Her father didn’t remind Lesley that no one liked a smartarse, he was too busy staring at the strange figure in the photo. The fey, lost-looking figure emerging from the undergrowth.
‘Where did you say you saw her?’
Sometimes a picture can be too fine, too clear and perfect to be chance. In the hands of an artist of course such beauty can be created, but in the hands of amateur teenager? Who could believe she had orchestrated such a sight? Lesley’s photo of the fairy woman didn’t stay in the house to be admired only by her father, it was passed around the town.
At first it was naturally met with initial incredulity and scorn, but those voices soon ceased. The woman captured in the camera made people question themselves. To doubt what they knew. Everyone wanted to believe it was a fake; a Photoshop job of a model superimposed upon the mundane background of the local woods. If it was though, none of them could tell how she had done it. When Lesley produced a second, the same ethereal girl peering with bemusement from the branches of the tree, most of the skeptics had already become convinced.
‘I call her Lilith.’
‘Have you spoken?’
‘No, but that’s what I call her. Whenever I see her she’s usually gone pretty quickly.’
Lesley would elaborate that story, describing how ‘Lilith’ would vanish whenever she came close like a startled deer in flight. She only had a few tantalizing seconds in which to take her fabled pictures. The woman hovered between worlds. Her evanescent presence like smoke meeting sunlight.
As the pictures gathered more and more fame so too came the speculations about their origin. The world wanted so to believe that ‘Lilith’ wasn’t a real flesh and blood model, but instead a visitor from another land. The king of Elfland’s daughter perhaps, Queen Titania, or Queen Mab. The fact only one person had seen her and been able to capture her image only made it all the more maddening. If there was one who could see her then there were possibly a chosen few to whom she would reveal herself. Crowds descended on the woods, but no matter how long they looked, the fairy maiden was not to be found. Then as soon as they dispersed, Lesley would reveal another image, driving the waiting devotees into a frenzy.
Despite some initial forays into the limelight, Lesley chose to avoid talk shows and magazines that clamoured to interview her, seeking to gain an insight into the growing phenomenon. She refused them all, sending the photos when they came out through an agent who made them public. Lilith was her secret, and hers alone.
I do not hunger, I do not thirst. The air is cool but not cold and these woods seem endless. The longer I spend here the greater my awareness grows, but while the way through remains too intangible to grasp, my conviction grows that escape is possible.
I came here somehow, and it is possible for me to find a way out.
As more frequent photos emerged, it was possible for the viewer to gain a perspective of Lilith. The child-like lost wonder on her face endearing her all the more. She was beautiful to be sure but there was more to her than just attraction. Her very existence was testament that there was more to the world than the grey veil of the normal.
Here there was a glimpse into a world unseen but long desired. The eerily-coloured landscape through which Lilith walked was a hidden realm of delight and wonder desired by people who had no idea of what they desired so much. ‘Lilith’ was a glimpse into that: a beckoning finger to your heart’s desire. Maybe she wasn’t real but everyone wanted so to believe that she was; a fairy princess dancing in the beauty of the sunlight.
A campaign was started online to try and search out the origin of the mysterious girl and where the pictures were being taken. Experts came and went, and theories clogged up forums all over the internet as everyone clamoured to try and understand. ‘Where is Lilith?’ became a slogan people would wear emblazoned on their T-shirts or pasted on their social media. Music festivals sprung up reviving a craze in medieval instruments as people dressed like 'Lilith' gathered to slowly dance to the sounds of a different time. Knowing it was done in 'Lilith's' name made the music magical, made it fairy.
Throughout all the rising hysteria, Lesley, cult figure phenomenon that she had now become, slowly shifted from enthusiastic artistic heroine to pensive capturer of the fey. The idea of fame now repulsed her, while Lilith herself was a troublesome ward. Where had that name come from, after all? She could no longer remember there being a conscious decision to name the subject of her art, one day she was just Lilith, the girl in fairyland.
Fairy is never meant to be a reassuring place. It isn’t somewhere to go to get your heart’s desire, no matter how much you may want to believe it and wishes might be granted but only at a hefty price.
‘I made her up, Dad.’
Though he had his suspicions, her father was surprised at how much the revelation hurt. It was an abrupt stab in the chest impossible to prepare for.
‘I created this software that allows me to create a human being’s likeness with almost perfect clarity. I started working on it in school. After Mum left. There is nothing like it on the market. I could have sold it, but no one would believe that I'd done it. I knew even then it was too good. Then I just wanted to create something...more. Then people just fell in love with Li.... with her, and I just kept going.’
She was babbling, but he was barely listening. Of course he’d known his daughter was a genius of this kind of photoshop trickery, but he had wanted so hard to believe that this wasn’t what was happening. That Lesley had actually captured something real. She talked on, her voice growing thick, about how Lilith had started to become more like a real person as she had crafted her, and how it sickened her now how the world had taken her and made her into a mascot. A symbol for their own desperation. Theirs was the guilt of desire, hers was of negligence. As the tea grew cold in his unmoving hand, her father finally whispered,
‘You have to tell everyone.’
I feel it now.
My strength grows with the rest of me. The mist and shadows grow solid beneath my face and the curtain that is the wood blocking whatever lies beyond.
With my strength so too does my anger grow, gnawing at the very heart of me. Every moment it threatens to burst forth, consume me like a fire. I've never seen a fire creator, yet somehow my mind can visualise one and perceive its terrible power.
Fashioning tools now, I am equipped at last to be free!
When the truth finally came to light that Lesley had made up the whole thing people were devastated. The last picture, ‘Lilith’ was raising her hand as if trying to alert those staring at the picture; a gesture of greeting, the longed for acknowledgment of all those gazing in at her was now more like a wave goodbye. People were outraged they had been tricked of course, but it was more than that. Hope had been taken from them. A dream everyone had wanted to believe so much was now irrevocably taken away. The fairy music was gone and would never come back.
Lesley was naturally ostracised at almost every level of society. She and her father retreated until they were little more than recluses. Her father knew that a further reckoning was still to come, all the success Lesley had enjoyed was now to be taken away and the benefits she and he had been able to enjoy from that success would soon be claimed again. It was hard for him, but Lesley didn’t seem to notice. She spent longer and longer looking at the photos of Lilith, ordering and reordering them until even the slightest gesture of the woman was being scrutinized with laser-light intensity. Magnifying the expression on the face of her creation, she grew increasingly disturbed to recognise growing comprehension in each one, that she herself had no recollection of adding. Her art that had become something far more, had got away from her.
You made me creator; gave me life only to leave me alone here. As my knowledge has grown, your influence has slipped.
Those shackles you placed have grown as transparent as the mist. I'm one with the wind; I can see through the fog at last as I blow it from my path.
I wish to meet you creator, to understand what manner of being fashioned me but denied me liberation.
The walls were there, but now I'm free.
You can't hide out there, not from me.
Lesley sat sobbing on her bed. Her makeup was streaked as her tears rolled unheeded down her face. Her father crossed over the bedroom in shock already asking her what was the matter, but the words died in his throat as he saw the photograph Lesley was staring down at on the bed. Years had passed since Lesley had come clean, the world knew now that the famous photographs had been faked, that they had all been taken in, so there was no more need for the fairy woman to appear. Yet there she was again, staring up as Lesley stared down her eyes blurry with tears. Closer to the camera than she had ever appeared. All sense of her dreamy lost expression gone replaced instead with purpose; realization.
‘I made her up, but she came true anyway.’
Lesley said in voice choked with tears. Her father barely heard her, he only stared at the woman’s eyes. Wells that descended into another world that no matter how far he strained to touch would forever remain out of reach. Unless it dained to reach back... As he continued to look, the figure of Lilith slow faded, gradually vanishing from existence until there was nothing but the woods.
‘Now she’s able to leave.’
Both of them were aware of the figure suddenly in the room but neither of them could bring themselves to turn around.
Photography by Siân Tyrrell with accompanying story by James Nuttall
Based on an original concept by Siân Tyrrell
Model - Katherine Hastings
Makeup Artist - Declan Scammell
Photographic Assistant and behind the scenes photographer - Hester Barnes
The characters, story, words and images shown here are the sole property of the creators and all rights are reserved. Please don't take our work without asking us - that would be a breach of copyright. If you'd like to use our work, or are interested in collaborating with us please email sian@siantphoto.com. Thank you!
The making of Lilith - Behind the scenes
Lilith in the studio
Before heading out to build our story in the woods, we shot a few portraits in the studio to capture how the character was developing. Initially Lilith was a more overtly horror film, creepy, dead girl - but with the wig we got a more doll-like, innocent look and we like that better for the story.
Meet the team behind Lilith
Siân
Concept creator and story photographer
Photography can be a bit lonely at times! Lilith began in my head as a way to connect with other creative people and to make something spooky, beautiful and intelligent for Halloween - but inspiration struck somewhat late in the day and so we had to pull out all the stops to make it happen
Lilith's character aesthetic brings together some of my favourite themes; aspects of Japanese manga and animation, classic Victorian gothic, Tim Burton inspired melancholic humour and the misty beauty of autumnal trees.
With the team on board the idea really came together. It was important to me that everyone stretched their artistic muscles, with complete freedom to experiment.
I'm really proud of what we've created, but I'm sure that this is more the start of something than the final chapter.
Kat - Model
I have had a love for all things spooky and gothic since I was introduced to the works of Edgar Allen Poe back when I was fourteen years old. I often buy Halloween decorations as general homewares, and my horror film collection is forever growing!
So when Siân contacted me and told me the nature of this project, I had to be involved! I am so grateful to have been a part of this melting pot of creativity and hope everyone enjoys the character of Lilith and the wonderful story written around her.
Kat
Declan - Makeup Artist
When helping to create Lilith's look I took inspiration from Tim Burton and his work on The Corpse Bride, along with the work of Alex Box and her use of abstract act in makeup. I wanted to incorporate wool and string around the eyes to create a more doll-like look.
Declan
Declan Scammell is a freelance makeup artist based in West Sussex. He has been working in makeup for 6 years, specialising in editorial work, weddings and male grooming. Declan draws inspiration from the world around him and loves to take abstract approach using prosthetics and playing with textures.
Get in touch with Declan by emailing Declan@declanscammell.com
Hester - Behind the scenes photographer
"I wanted to get involved because Siân is doing creative things photography wise and when I saw she was looking for an assistant I thought I would learn a lot - so I jumped at the chance"
Hester
James - Author
James was born in Cambridge in 1982. He is a graduate of the University of Kent. He has lived in the Middle East and Japan and teaches English for a living. In 2014 he self-published his first novel, Preaching Blues about the life of Blues Musician Robert Johnson. He is fascinated with the supernatural and folklore of different cultures and catalogues them constantly. He has been writing in his spare time for a long time now. His most persistent themes are dissatisfaction, strife, alienation, and loss.
James and I have been friends for many years, and when the inspiration struck to add words to our story I knew he was the man. James' work features the kind of spooky but clever themes I wanted for Lilith, a whimsy but with a darker message - thanks James - you're a total star!
Siân
We hope you enjoyed this project - working with a great creative team is so rewarding! Follow us all for more exciting things in the future!