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Participant #9

Q1: Age 28

Q2 : Prefers to watch TV on a Friday night.
Q3 : Watches a movie because of the 'Cast'
Q5: Typically watches a movie with their significant other

Two hands were selected to represent the 'personal' nature of someones relationship with their significant other.

Q6: Has watched 2 movies in a row.

To communicate how many movies in a row a participant watched–is represented by the 'number' of leaves attached to the 'Reel Flower'.

Q7: They have no been to a Midnight Premier.
Q8: Go to movie snack is popcorn.
Q9: Their go to genre is 'Comedy'.
Q10: Netflix is their favourite streaming platform

Participant #2

Q1: Age 26

Q2: Prefers to watch a movie on a Friday night.
Q3: Watches a movie because of the storyline
Q5: Typically watches a movie with their significant other
Q6: Has watched 5 movies in a row.
Q7: They have gone to a Midnight Premier.
Q8: Popcorn is their go-to movie snack.
Q9: Romance is their go-to genre.
Q10: Disney+ is their favourite streaming platform.

Participant #4

Q1: Age 49

Q2: Prefers to watch TV on a Friday night.
Q3: Whats a movie because of the trailer.
Q5: Typically watches a movie by themselves.
Q6: Has watched 2 movies in a row.
Q7: They have not gone to a Midnight Premier
Q8: Popcorn is their go-to movie snack.
Q9: Their go-to genre is 'Drama'.
Q10: Netflix is their favourite streaming platform.

References

  1. Brooke, E. (2019). Pentagram Chooses Its New Partners. Eye On Design. https://eyeondesign.aiga.org/epically-long-how-pentagram-chooses-its-new-partners/
  2. Lang, C. (2016, June 1). This Is The World’s Ugliest Color — And It Has An Important Job. https://time.com/4353765/worlds-ugliest-color-discourages-smoking/
  3. Lupi, G. (2017). Data Portrais at TED. Giorgia Lupi. http://giorgialupi.com/data-portraits-at-ted2017
  4. Pavliscak, P. (2016). Algorithums as the New Material of Design. UXmatters. https://www.uxmatters.com/mt/archives/2016/06/algorithms-as-the-new-material-of-design.php
  5. Rose, G. (2016). Chapter 6 : Semiology. In G. Rose, Visual methodologies: an introduction to researching with visual materials (p. 118). London: Sage Publications.
  6. Schwartz, A. (2019). Data as a New Medium of Design. Towards data sciecne. https://towardsdatascience.com/data-as-a-new-medium-of-design-1d4cbc7bfea1
  7. Seevink, J. (2020, August 6). Week 3: Semiotic Analysis (SA) Module. Brisbane,Queensland, Australia.
  8. Smith, I. H. (2018). Selling the Movie: The Art of the Film Poster. United Kingdom: White Lion Publishing.
  9. Simplifed. (2021). ‘The Experts’ Insights Into A Movie Poster Design’. Simplified. https://simplified.co/blog/us/design-hacks/movie-poster-design/
  10. Varghese, S., & Balasubramanian, A. (2017). Carl Jung’s archetypes in Malayalam film: A case study on the film ‘Urumi’. In SHS Web of Conferences (Vol. 33, p. 00018). EDP Sciences.
  11. Vanity Fair. (2019, March 19). Movie Poster Expert Explains Color Scheme | Vanity Fair. [Video]. YouTube. https://www.youtube.com/watch?v=BEbW2fXSShc
Created By
Ngaire McLoughlin
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