Color Field Paintings MaDison itani

Color-field painting can be recognized by its large fields of solid color spread across or stained into the canvas to create areas of unbroken surface and a flat picture plane.

Color-field painting is a style of abstract painting that emerged in New York City during the 1950s and 1960s. It is closely linked to abstract expressionism, post-painterly abstraction, and lyrical abstraction.

By the late 1950s and early 1960s, young artists began to break away stylistically from abstract expressionism, experimenting with new ways of handling paint and color. Moving away from the gesture and angst of action painting towards flat, clear picture planes and a seemingly calmer language, color-field artists used formats of stripes, targets, and simple geometric patterns to concentrate on color as the dominant theme their paintings

The movement places less emphasis on gesture, brushstrokes and action in favour of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."

The style was championed most enthusiastically by critic Clement Greenberg, who acclaimed the advances it achieved in the realm of form and composition. Bemoaning what he saw as the increasingly imitative, academic qualities of some action painters, he argued that color field painting represented the way forward. His advocacy of the style proved highly influential.

Color field painting was pioneered in the late 1940s by Mark Rothko, Barnett Newman, and Clyfford Still, who were all independently searching for a style of abstraction that might provide a modern, mythic art and express a yearning for transcendence and the infinite. To achieve this they abandoned all suggestions of figuration and instead exploited the expressive power of color by deploying it in large fields that might attract the viewer. Their work inspired much Post-painterly abstraction, particularly that of Helen Frankenthaler, Morris Louis, Kenneth Noland, and Jules Olitski.

I chose color Field Paintings because I think all of the colors are beautiful. They also caught my eye when I was looking at them and interested me.

Credits:

Created with images by pedrosimoes7 - "Abstraktes Bild (Nº 635) (1987) - Gerhard Richter (1932)" • zaphad1 - "IMG_0440b"

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