ABOUT THE COMPETITION
The Nature Photography Competition is organized by FPNA and consists of an Adult Competition open to photographers aged 18 and over, and a Youth Competition open to photographers aged 17 and under. Any contact with the Organizers regarding the Adult Competition or the Youth Competition (unless specified otherwise) should be via the email address: email@example.com
Selected entries to the Competition may be displayed in an exhibition at the Visitor Center of Arikok (‘the Exhibition’) and/or toured nationally (‘the Touring Exhibition’), featured online, in publicity materials relating to the Competition, Exhibition and Touring Exhibition, or as merchandising according to the terms hereunder.
Fundacion Parke Nacional Aruba is a non-profit organization and the revenues generated by the Competition support not only the continued existence of the competition but also the conservation activities.
CONDITIONS OF ENTRY TO THE COMPETITION
(1) Entries must be received by 11.30 PM GMT on the evening of Sunday December 6th 2020 (‘the Closing Date’).
(2) The Adult Competition is open to anyone aged 18 or over on the Closing Date except individuals (and their partners and family) involved in its organization or judging or employees of the Organizer or any official partners, supporters, or sponsors of the Competition.
The Youth Competition is open to anyone aged 17 or younger on the Closing Date except individuals (and their partners and family) involved in its organization or judging or employees of the Organizer or any official partners, supporters, or sponsors of the Competition.
(3) The entrant must be a local citizen of Aruba.
(4) By entering the Competition, the entrant agrees to maintain the highest standards in all matters relating to the Competition and not to do or say anything that does or might damage the reputation of the Organizer, the Competition, the other entrants, or the official partners, supporters, or sponsors of the Competition, the Exhibition or the Touring Exhibition. The entrant acknowledges that entry into the Competition does not grant any rights in any intellectual property rights of the Competition and/or the Organizer, and agrees not to use any names, logos or other intellectual property rights of any of them or to make any public statement regarding any of them without the prior written consent of the Organizer.
(5) It is the responsibility of each entrant into the Competition to ensure that they have read and will abide by these rules. By submitting an entry, each entrant agrees to the rules, that their entry complies with the rules, and that they will be liable to the Organizer and their licensees in respect of any damages or losses incurred as a breach of the rules by the entrant.
(6) Entrants are not permitted to submit images that:
(i) have been awarded any prize, recommendation or other award in any competition before November 17th, 2020;
(ii) feature farm animals, family pets, and/or cultivated or non-native plants;
(iii) portray captive or restrained animals, animal models, and/or any other animal being exploited for profit unless for the purposes of reporting on a specific issue regarding the treatment of animals by a third party;
(iv) have been captured using live bait.
(7) Any entry found not to comply with the Rules at any stage of the Competition may be disqualified. The decision of the Organizer on all matters relating to the Competition is final and binding. No negotiation will be considered. The Organizer reserves the right to amend the Rules and to waive breach of the Rules at their sole discretion, acting reasonably.
(1) Submissions must be in digital format.
(2) For all categories, digital files must be submitted as JPEGs, saved at a high quality setting of at least 8 in Photoshop, Adobe RGB, and at 1920 pixels along the longest dimension and between 150-300dpi. No borders, watermarks or signatures should be included.
(3) Entrants whose work has been shortlisted will be required to provide the following:
(i) RAW files (eg .CR2, .NEF, .ORF, .PEF etc), original untouched JPEGs, will be required for authentication. DNG files are only permitted if this is the native RAW format of the camera;
(ii) High resolution files (preferably TIFF) required for printing should be 8-bit, Adobe RGB at full resolution, and match the colour and cropping of the JPEG submitted at entry. Please do not upscale. Files must not exceed 500MB.
(4) Any entry that cannot be authenticated or is not of an acceptable quality will be disqualified. The Organizer reserve the right to ask any entrant to supply a range of ‘before’ and ‘after’ original files for any image that requires further authentication.
(5) Digital adjustments including tone and contrast, burning, dodging, cropping, sharpening, noise reduction, minor cleaning work (e.g. removal of sensor dust or scratches on transparencies/scans, removal of chromatic aberration), HDR, stitched panoramas, focus stacking and in-camera multiple exposure taken at the same location at the same time (as a continuous sequence - seconds or minutes apart) are permitted providing that they comply with the Competition’s principles of authenticity so that they do not deceive the viewer or misrepresent the reality of nature.
(6) The following digital adjustments – but not limited to these – are not allowed: adding, moving or removing objects, animals or parts of animals, plants, people etc; the removal of dirt, highlights, backscatter, bubbles, debris and similar; composites, painting the foreground / painting out the background.
(7) Caption information must be complete, true and accurate, and provide the following:
(i) description (behavior observed; background story; exact location; if any bait was used, and if so, of what nature (see Rule 4.5).
(8) Entrants should not include their name in the metadata, caption or on the image itself. EXIF details should be kept intact (eg camera, lens, exposure etc).
(1) All entrants agree that, if their entry is selected by the Jury, they will participate in related publicity and agree to the use of their name and likeness for the purposes of advertising, promotion and publicity of the Competition and/or the Exhibition and Touring Exhibition without additional compensation.
INTELLECTUAL PROPERTY RIGHTS
(1) Each entry must be the original work of the entrant and must not infringe the rights of any other party.
(2) The entrant must either be the sole owner of the copyright in the entry(s) submitted or have secured the written permission of the copyright owner or any joint owners of copyright to submit the entry(s) into the Competition. A copy of any such written permission must be supplied to the Organizer on request.
(3) Ownership of the copyright in any entry submitted to the Competition will remain with the copyright owner(s). The photographer will be credited (eg © photographer’s name). The photographer agrees that the Owners will not be liable to the photographer in the event of inadvertent omission of the credit.
(4) By entering the Competition, the entrant grants to the Organizer a non-exclusive, irrevocable licence to reproduce, publish, exhibit and communicate to the public, by any means and in all media throughout the world any entry. This licence is granted only for use in relation to the Competition, Exhibition and Touring Exhibition, which shall include - but will not be limited to - any of the following uses:
(i) the process of judging the Competition (including the public vote);
(ii) display during the awards ceremony, Exhibition, and Touring Exhibition;
(iii) publication in other magazines or print media which the Organizer (or their official partners, supporters, or sponsors) may produce; Other commercial opportunities may exist for photographers to benefit from the use of any entry selected by the Jury. Where such a commercial benefit is likely to arise, permission will be sought by the Organizer in advance. Examples include:
(iv) publication on relevant parts of the Organizers’ website, including within interactive elements available for viewing or download; (v) in publicity materials (including social media).
(i) publication on the cover of the Portfolio Book
(ii) inclusion in merchandising associated with the Competition, Exhibition and/or Touring Exhibition