Watercolor Trees David Rankin Watercolor Workshops

The ability to paint trees in Transparent Watercolor has been a basic skill set in many Watercolor painter's repertoire for a couple hundred years or so.

In my own case I learned how to paint in Transparent Watercolor by working from Ted Kautzky's now famous "Ways with Watercolor" book that my mom got for me on my 16th birthday.

But I soon was so enamored by Kautzky's style that I eventually bought every book he ever did. And it was this book here shown with green cover that I used for a long time as I developed and refined my abilities.

Kautzky is the one who first impressed upon me the artistic importance of learning how to Sketch Trees... before Painting Trees. His idea was that by learning how to sketch the basic elemental shapes that you observe in a particular species of tree... that ability to see & sketch the essential "shapes" would translate directly into better paintings.

"Live Sketch" on the left done quickly using a 9B Woodless Graphite pencil in my sketchbook. watercolor Gray Study on the right using only Payne's Gray... using the graphite sketch as reference. If you compare the brushwork in the watercolor study to the original graphite sketch, you can see how I interpreted the sketched forms into watercolor with brushwork.

This is a practice I have maintained for many decades now. This next image below is a blog posting from my Ganges Himalayas Watercolor Expedition... showing how I work on location when I travel. Although my primary interest on this expedition up into the Ganges Himalayas was focused on the high altitude glaciers of the region... an additional artistic interest arose rapidly... focused on the subject of forests & trees in the Himalayan regions we were exploring.

Sketching is my first effort to process my artistic observations. During my travels in the Himalayas I'd take every opportunity to try out subjects in my Artist Journal using watercolor.

Watercolor painters traditionally spend time actually studying trees and learning how to paint them. I refer to this as a "Species Specific" skill... where an artist learns enough about trees to be able to paint various species effectively. Kautzky often made trees the focal point of his paintings, as you see here in this painting below of fall light illuminating Maple Trees in New England.

Trees often came into focus in the paintings of John Singer Sargent. It is instructive to see how he'd often focus his skills on such complex subjects as the now famous "Palm Studies", shown here at bottom. It's as though he simply worked the challenge of such a complex and difficult observation of light, shade, design, and values. There's no particular focal point... such very complex brushwork capturing the play of light & form on this challenging subject.

In my Workshops I try to have at least an initial subject or focus... in this case... Trees. But in fact, whatever focus I am working with, it's always about unique magical skills that a watercolor painter can achieve painting with Transparent Watercolor on Rough Papers. This class training project below was done in about 15 minutes. And although it is a rather simple landscape with trees and vegetation... the lesson here was focused upon developing a unique Watercolor Skill I call "Merged Brushwork". And if you are wanting to paint better... more believable trees... in transparent watercolor, you simply must learn how to work with Merged Brushwork.

Merging Wet Brushwork

The most crucial skill needed for painting trees in Transparent Watercolor is the ability to Merge Wet Brushwork into coherent & complex shapes quickly. I've assembled 4 pages from a Workshop I did a number of years on this subject. The smaller pages provide you with an overview. The larger pages will allow you to actually read my instructive text and hopefully try this subject... and this skill.. in order to better understand what I mean.

Layering Wet Brushwork - The trick to painting a variety of trees lies in this ability to develop trees sections at a time, working quickly and effectively. And then... learning how to apply additional layers of branches onto top of earlier brushwork... in order to develop the illusion of visual depth.

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Here's another Training Project from my many summers in Kashmir. I grew to love Kashmir's lovely stands of Poplar Trees lining the avenues and roads. But here I use Ted Kautzky's small graphite value study to help you paint the subject.

Developing an ability to paint 'believable trees" rather than just indistinct tree brushwork, will greatly widen out your subject range... and your self confidence.

Check out some of David's upcoming Workshops

April 24-27 – Green Country Watercolor Society, Tulsa, Oklahoma - For more info and to Register: http://gcwatercolorokla.com/workshops/

May 20 – 27 - TexArt Workshop, Schreiner University, Kerrville, Texas - For more info and to Register: http://skbworkshop.com/

June 2, 3, 4 – Euclid Art Association - “Essential Watercolor Skills Training Workshop” - For more info and to Register: http://euclidart.com

Sept. 17-23 – SKB Foundation Dubois Workshop, Wyoming Workshop - For more info and to Register: http://skbworkshop.com/texart-details/

Oct. 23-27 – Cheap Joe’s, Boone, North Carolina - “Mastering Watercolor’s Middle Values” - For more info and to Register: http://www.cheapjoes.com/david-rankin-art-workshop-mastering-watercolor-s-middle-values-oct-23-27-2017.html

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David Rankin
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© David Rankin 2017

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