A series of shoots working with producers, crew, and talent. Agency art directors and clients joined us on set. Click on the small images to get the big picture.
Residential development and lifestyle for Newland Communities, shot with Slingshot, Dallas. Produced by Nicole Lloyd with full crew (including video) and ~50 talent for three day shoot.
Stills for print/digital campaign shot alongside a large film crew for BBDO SF, with line-producer Terry Maxfield. My crew included a lighting assistant and a digital tech on the four-day shoot.
I’ve honed my “stolen moments” technique, working with talent during the “hurry up and wait” times on motion sets. I share the results with the film director, who often adds it to the script. It’s fun to collaborate.
McGarrah Jessee Creative Director David Kampa sent me to Florida as Costa introduced a new line of prescription eyewear. Rabbit Foot Producer Meredith Saidel Roach set the wheels in motion with a line producer, AE, CD, and AD on set. My photo assistants and a digital tech joined us. Costa marketing staff and I cast 12 local models, all amateurs, who slipped into their roles naturally.
Shot for CDK Global, Chicago. The four-day shoot was produced by Tamber Johnson of TAMCO Dallas, who cast 20 professional talent and 10 real employees, served by a crew of ten.
Shot with Unleaded Studios video crew over two days in Baytown, Texas. That's CEO Darren Woods in the hardhat, with the chiseled chin.
Shot documentary-style for MSL Chicago alongside AMS Pictures video crew.
Riddell wanted a "Friday Night Lights" feel to the photos of Texas high school football—lots of family and culture shots. The campaign promoted new impact sensors embedded in the helmets. Kid gets a knock on the noggin and coach's hand-held unit lights up. Good to know there's an app for that.
Credits:
©2021, Scott Van Osdol, Photographer www.vanosdol.com