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This has been the best Montreal Audio Show ever.

Thanks to Sarah and Michel, they have outdone themselves and proven that they can bring an audio show to a larger audience. We have never seen more women, teenagers and kids to this event. Rooms were often bursting of listeners.

Not to mention the quality of the organisation and presentation. This was worldclass.

The idea of the Flower Power Woodstock theme had a true effect on the popularity and accessibility of the show.

And Motet was at the forefront of the event, present in six rooms and kiosk, representing multiple brands from all over the world

Soundstage Best Of Show Award for PMC

The Best of show award came in as a blessing for PMC who was launching its brand new Fenestria flagship loudspeaker.

Here is what Doug Schneider had to say:

...After all, if you’re going to claim some new level of performance, then you’d better make everything about it new. The PMC design team seems to have done just that.
The Fenestria isn’t their first speaker intended for home use -- they’ve offered consumer products for years, some of which we’ve reviewed on the SoundStage! Network -- but this is their first cost-no-object consumer loudspeaker intended to take on all others, regardless of price. From what I learned and heard in Montreal, the Fenestria certainly deserves to be compared with the best speakers out there. I’m happy I decided to walk into that last room when I did.

MORE COVERAGE BY JOHN ATKINSON FROM STEREOPHILE

Driven by Hegel amplification with XLO cables and with CD-resolution data decoded by an iFi DAC, the Fenestrias offered superbly palpable midrange and high frequencies on a recording by Canadian singer/pianist Anne Bisson. The image of Bisson's piano, in particular, hung in the space between the speakers, with no notes splashing to the sides. The transmission-line vents at the top and bottom of the enclosure feature laminar-flow fins to eliminate chuffing. The sub-bass notes on James Blake's "Limit to your love," played back at high volume, sounded clean with no wind noises or distortion. An impressive debut by an impressively engineered loudspeaker.

MORE COVERAGE FROM RICHARD H. MAK OF MONO & STEREO MAGAZINE

My favorite speaker of the entire show is the all-new PMC Fenestria (C$ 90,000). The 176 lbs speaker is housed in a cabinet nothing short of an engineering marvel.
I heard a life-like rendition of Viva La Vida by 2Cellos (Luka Šulić & Stjepan Hauser), the sound was organic, lush and full-bodied while the instrument size in exact life-like proportions. Equally satisfying was “Deeply Disturbed” by Infected Mushrooms, which goes to show the Fenestria does equally well with electronic rock. And just before I left the room, Will Young’s “Golden Slumbers” pulled me back into the room with a voice that is organic, seductive and emotionally charged.

Auris is back in Canada featuring new products

I liked the sound of these speakers almost as I love the tall, narrow form factor with wood side panels and side-mounted woofers. Driven by an Auris tube integrated amp this was a very good sounding rig. Stevie Ray Vaughn had a lot of air and fine decay as well he should with speakers costing $22k. Rear-firing tweeters that can be turned on or off helped create the sense of air in the room. I could see myself owning this rig if I had a smaller abode. Motet Distribution, 1215.

Recently created, Dekoni Audio were presenting their earphone replacement pads. Never been distributed before in Canada, Sam, one of the owners from Dekoni was surprised to see so many Dekoni fans at the show.

Demonstrated in two different locations, both Steve from Audioville and Roger Fortier, director of sales from HIFIMAN, are happy with the traffic and enthusiasm of the crowd

As usual the team at the iFi booth were busy as bees.

Thank you, Shane, from Final Audio, to help Vince and Dan manning the booth

Innuos were demonstrated in many rooms at the show arranged by distributor Richard Kohlruss

The new LUMIN AMP

The machine that drove PMC's new flagship FENESTRIA loudspeaker to the podium and earned it a Best of Show award

A PERFECT COMBINATION

Leland from Music Hall not only brought his skills but also Music Hall’s famous scotch tradition.

Thank you, Bruce Jacob, for going around every room to put hi-tech equipment stands together and add a final touch for every system with isolation feet or panels. No wonder all Motet rooms sound at their best.

Tri-Art has been at the show for many years and has been voted best sounding room many times.

This time, not only have they provided other rooms with their screen and paint products, but also supported artists and Audiofille! Thanks Steve Ginsberg!

Thank you, Lisa, our multi-talented photographer, artist and chef.

Motet Team and Friends

Thanks to all of you !

See you in Toronto-October 2019

motetdistribution.com

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