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GRACE SCHEAFFER ’24 STUDIO ART THESIS EXHIBITION

Japanese Inspired Illustrations

Grace Scheaffer ’24

Grace Scheaffer ’24, Fu Dog, or Chinese Guardian Lion, 2021, ink and alcohol markers on paper.

In this project I created a series of Japanese illustrations using Ukiyo-E period woodblock prints as reference. I first became acquainted with Japanese art after deciding upon my career path as a tattoo artist. Ukiyo-E prints have heavily inspired the Japanese tattoo movement observed throughout history and are often credited with launching the movement into a more mainstream light, whereas before the movement was perceived as part of lowbrow counterculture. Ever since I encountered Japanese Ukiyo-E prints, I have become completely enamored with the stunning visuals the artists were able to attain through the difficult medium of woodblock carving and printing—and I grew more and more determined to emulate that quality in the medium of illustration. In my work, aside from achieving the primary hallmarks of Japanese Traditional art (strong black outline with varying line weights, bold colors, and subject matter that’s symbolic to Japanese culture), I aimed to instill in the viewer the same sense of awe I experienced when observing Japanese woodblock prints for the first time. In doing so, I hope to inspire others to seek out and learn more about the art form.

Grace Scheaffer ’24, Raijin, God of Thunder, and Fujin, God of Wind, 2021, acrylic ink on paper.
Grace Scheaffer ’24, Suikoden Hero, 2021, acrylic ink on paper.
Grace Scheaffer ’24, Kintaro and the Giant Carp, 2021, acrylic ink on paper.
Grace Scheaffer ’24, Momotaro Conquering the Demon King, 2021, acrylic ink on paper.

Studies for Japanese Inspired Illustrations

Grace Scheaffer ’24 with her work Raijin, God of Thunder, and Fujin, God of Wind (2021) at the exhibit opening