Wilson was out to discover and document for the Western world, the birds of North America for his multi-volume book American Ornithology. He shared some of his paintings and asked Audubon to subscribe to his book. In his journals, Audubon says that he was about to subscribe when a friend pointed out that Audubon’s paintings were better. This encounter set him off on a 28 year project to document and publish his own work, which would become the double elephant folio Birds of America.
Audubon took his paintings to Scotland where he worked with engraver William Lizars to print the first ten images.
When Lizars developed labor problems, Audubon took his project to England and began working with up and coming expert printer Robert Havell, Jr., with whom he completed the work.
Audubon decided that his work would be printed on one of the largest size sheets of paper called a double elephant folio. This would allow the birds to be printed at life size or as close as he could get. The paper was still not large enough for the biggest birds causing some of them to have awkward poses, like this one of the Great Blue Heron.
Transylvania’s copy of Audubon’s double elephant folio Birds of America was given to us in the 1980s by Clara Peck, an important rare book collector and heir to the Woolworth fortune. She lived in upstate New York, but also had a horse farm here in Lexington, Kentucky called Winganeek where she bred saddlebred horses. Because of her friendship with librarian Roemel Henry, part of her rare book collection was gifted to Transylvania.
Text & layout by Susan Brown, Library Director
Visual layout coaching from Kevin Johnson, Digitization and Metadata Specialist
Sources:
Burns, Frank. “Alexander Wilson The Audubon Controversy.” March 1908 The Wilson Bulletin. Vol 20 No. 1.
Boarman, Don. "Audubon’s Masterpiece: The Double Elephant Folio Edition of The Birds of America." Transylvania Treasures 1.2 (Spring 2008) p. 2.
William Home Lizars. Wikipedia.
National Audubon Society Birds of America
Recommended further reading and viewing:
Hart-Davis, Duff. Audubon's Elephant : America's Greatest Naturalist and the Making of the Birds of America. Henry Holt and Company, 2004.
Rhodes, Richard. Audubon: The Making of an American. New York: Alfred A. Knopf, 2004.
Garey, Diane, and Ken Chowder. John James Audubon : Drawn from Nature. American Masters series. Bullfrog Films, 2006.
Explore the 435 prints in more detail courtesy of the John James Audubon Center in Pennsylvania.