First of Many
Variety shows on KU’s campus trace back to “College Daze," a revue sponsored by the student union introduced after World War II.
In 1949, Roy Wonder, b’50, wanted a campus variety show with higher student participation.
At the time, Kansas State had their own variety show, the Y-Orpheum. (The name refers to a combined grouping of the local YMCA and YWCA.) Wonder, a Manhattan native, modeled the new show after Kansas State’s, and even used the Wildcats to drum up interest for the production.
“The idea of a campus-wide variety show is well established at many schools. We hope this show will be the first of many.” - Roy Wonder to the Kansan.
Wonder asked his friend Ross Miller, producer of the 1949 Y-Orpheum, to write to the University Daily Kansan criticizing the “theft.” Several back and forths between the two newspapers later, then KU campus community was ready for the show.
Almost 500 people paid 50 cents to see the first show in Hoch Auditorium, with Pi Beta Phi and Phi Delta Theta winning their categories (co-ed performances were not introduced until 1959). Expectations were low all around:
“We just wanted to get on and off stage without a gaff. We hoped someone would come and clap.” - Fred Six, c’51, l’56, director of the Phi Delta Theta skit.
After a few years under K-State’s Y-Orpheum name, the Kansan held a naming contest, with ten dollars awarded to Kathleen Larson, c’50, for submitting “Rock Chalk Revue.”
Early skits were focused on the humor of campus life, with titles such as “How you Gonna Keep ‘em Down on the Farm, now that they've seen KU,” and “We’ll study tomorrow.” 1963 saw the introduction of a common theme with skits based on it, a tradition that continues today.
The exact number of skits and participants has wavered through the 70 year history, with memories such as a particularly lewd skit from McCollum Hall that was yanked before opening night, and the 1991 Hoch fire leading to two performances at Lawrence High School, including a skit themed as a telethon for a sprinkler system in Hoch.
A Performance for the People
The 1983 Revue introduced United Way as the beneficiary for the funds raised, a tradition that continued until 2013. After cumulative fundraising reached $1 million, the Rock Chalk Revue advisory board voted to move to other Lawrence charities. Since then, Habitat for Humanity, Big Brothers Big Sisters and now the Boys & Girls Club have received the profits.
In 2007, the advisory board introduced the Dream Maker Fund, a scholarship fund available to KU students to help ease immediate and unexpected financial burdens. Last year more than $10,000 was given to students for expenses such as a car repair for a campus commuter, or a month of rent when textbook costs were high. Today, 80 percent of profits goes to the Boys & Girls Club and 20 percent to the Dream Maker Fund.
The annual production of Rock Chalk Revue requires a nearly-annual cycle of checkpoints. The process begins in April, only a month after the show, with Greek houses pairing up. Over the summer, the pairings pick their directors and start writing their show. Once classes resume in August, the shows hit the ground running, preparing for oral auditions, the big audition in November to secure your show a spot in Rock Chalk.
Once the five shows are chosen, it’s time to put the pieces of their performances together and perfect them. After winter break, each group practices one hour every weekday and an hour and a half on weekends.
Nearly every free hour is dedicated to the production in the home stretch of show week. Rock Chalk Revue moves into the Lied Center the Saturday before opening night, and rehearsal runs from 4:30 to 11 p.m. Saturday through Wednesday.
Show week is an exercise in efficiency, with the Lied Center bustling with students going over scenes in hallways, doing homework in the audience, or getting some sleep in a dark corner, all ready to run on stage when their show is next.
Henry Killen, a senior at KU, is triple majoring in finance, marketing and political science. Law school is the plan next year. Before that, he keeps himself busy as executive producer of Rock Chalk Revue.
Killen’s main job is to oversee the 20-person advisory board, a corporation-like structure with business and sales managers, graphic designers and public relations coordinators filling out the board.
“It’s my job to make sure that everything’s on track," he says. "There’s so much that goes into this show beyond the performances, all the way back to August: Scheduling fundraising events, meeting with the University, securing sponsorships. This year we got over $15,000 in sponsorships, all going to charity.”
Rory Doepke, a senior from St. Charles, Illinois, has been involved with Rock Chalk Revue from his start at KU. His experience began as a freshman when his fraternity auditioned, but did not make it in the show. The next year, Doepke served as the director and got his house in.
Now as an executive director, he oversees the production of all five shows and selecting the judges for oral interviews and the final production itself. The judging panels are a combination of Rock Chalk alumni and the area theatre community.
“Rock Chalk Revue has been great for meeting new people," Doepke says. "It can even give career help when we meet with the judges. It’s a great way to get involved outside of your house and on campus.”